In Memoriam: Bea Arthur, 1922-2009

Bea Arthur was known to legions of fans the world over for her deadpan portrayal of Golden Girl Dorothy Zbornak, and for the bird of prey-like strength of her feet. Her unapologetically flamboyant style of dress (at a time when living one’s life as an openly gay man was to flirt with personal ruin and career disaster) necessitated its very own fashion vocabulary, inspiring such timeless phrases as “cowl neck,” “slouch boot,” and “turkey necktie couture.”

Bea’s fashion sense served as the primary inspiration for no fewer than seven Björk/Matthew Barney collaborations.
Bea Arthur as Lurkey Brown in Bertolt Brecht’s The Hennypenny Opera.

Of course, Bea was best known for her star turn on The Golden Girls (1985-1992), but her achievements on the stage and on the small screen don’t stop there. Bea initially made her name in the classic Off-Broadway production of The Threepenny Opera (1954), and went on to star in the original Broadway productions of Fiddler on the Roof (1964) and Mame (1966). In the 70’s, Bea created a sensation on TV, playing the ultra-liberal title character on Maude (1972-1978), a sitcom which boldly tackled such tough, now-obsolete issues as racism and women’s rights. Little public recognition has been given, however, for Bea’s fearless stunt work in Cannonball Run, and for her stunning portrayal of Chewbacca in the original Star Wars trilogy. Additionally, Bea was the first to introduce a 26-year-old Kristy McNichol to the sex act known as the “Empty Nest,” leading both actresses to a successful and intensely satisfying spin-off.

Arthur’s life-long struggle to accessorize came to a head on the set of this 1974 photo shoot.
The Empty Nest: Step One…

Unfortunately, the years took their toll on Bea’s health and wellbeing, and by the end of her life she was largely composed of donated plasma, gristle, and weave. Surrounded by friends and family, she finally lost her battle with cancer on Saturday, April 25, 2009. Bea’s body was instantly cremated by her own trademark slow burn.

In celebration of the life of this staunch supporter of animal rights, gay rights, and the rights of gay animals, Breeder’s Digest would like to offer you—the disembodied ghost of Bea Arthur—our highest honor: The Lifetime Achievement Award for Female Impersonation. You’ve more than earned it, with the legacy of overdone double-takes, superfluous musical numbers, asymmetrical blouses, and gravel-voiced laughter you leave behind.

In her later years, Bea worked as a stool sample model.
Bea’s celestial smocks make perfect Heaven wear!

Thank you for being a friend.

John

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7 Responses to “In Memoriam: Bea Arthur, 1922-2009”

  1. Ryan Says:

    “Bea’s body was instantly cremated by her own trademark slow burn.”

    What I would do to have that in my obit.

  2. Josh Says:

    Nicely done. Rest in peace, Bea!

  3. Robby Says:

    Hahahaha….”now-obsolete issues.”

    I totally LOL’d!

  4. Anonymous Says:

    I especially appreciate her stunt work in Cannonball Run, we all know Dom DeLuise couldn’t have handled such a physical effort.

  5. minniesota Says:

    I drink a toast to Bea Arthur.

  6. Toots Says:

    Lest we forget her riveting portrayal of Akmena, the Cantina bar-mistress in the Star Wars Holiday Special (1978). I believe she was truly affected, really moooved.

  7. stephen Says:

    With all the wonderful things Miss Arthur has done in her life including the Ali Center, wouldn’t it be great to see her final interview, in HER OWN WORDS talking about her career etc.

    I love your site and I thought you might like it.

    We need to contact Merv Griffin Productions and see if entire interview will be aired.

    I’d hate for an full interview with Bea or the other ladies in the clip to go unseen.
    All the best,
    Stephen

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